Saturday, January 9, 2016

A Tale of Three Suitors: Far from the Maddening Crowd




To start the New Year's New blog Posts, I wanted to give a Timeless Lovers's salute to a movie, and an old classic book I just discovered. This past weekend I watched an incredible romance movie, one that is also a 'costume drama' that delighted both myself and my spouse. It was in theaters May of 2014, and is now out in DVD.

We didn't feel the story was too long or too slow. We didn't want it to end. In comparison, we watched the recent incarnation of Madame Bovary, and were so bored we turned it off nearly at the halfway point, so that just goes to show that every remake of a classic movie doesn't succeed.

Far from the Maddening Crowd is a novel written by Thomas Hardy and published in 1874. The story is set in Victorian England, a contemporary novel at the time it was written. It takes place in the lovely English countryside of Dorset.

Our heroine, Miss Bathsheba Everdene (yes, Bathsheba!) lives with her aunt and works the farm.
She is a headstrong, independent woman who really isn't searching for a husband. She is made an offer of marriage by a neighboring farmer, a young, virile and handsome Gabriel Oak. Funny thing about the last name, as he ends up being as solid and reliable as an oak tree in the course the story.

She turns him down, because, well, she doesn't love him.
And she doesn't wish to be a farmer's wife.

Mr Gabriel Oak, a handsome and reliable man
Gabriel Oak's fortunes turn bleak in one night. He's been training a sheepdog named George who is not as well behaved as a dog should be that has the singular responsibility of herding and guarding sheep. As Gabriel awakens in the night after hearing a noise, he finds the sheep pen open and the sheep are gone. His older dog, retired, leads him up to the cliffs where he discovers the younger dog has herded his entire flock off the cliffs.

He's ruined, and must leave the farm he's been renting and hoping to buy after the sheep shearing.

Meanwhile, after turning Mr. Oak's proposal down,  plucky Bathsheba gets news of an inheritance. Her uncle has left her his farm in his will. She's thrilled, and packs right away to go claim her inheritance.

When she arrives at the farm, she is presented with a terrible situation. A fire nearly destroyed the barn, as a cart piled with hay near the edifice caught fire. A stranger happened upon the farm looking for shelter and work the night before her arrival, and he rallied to help the farm hands extinguish the fire. This bold stranger heroically climbs the roof of the barn to stamp out the flames on several of the shingles. Guess who this brave man turns out to be . . . Gabriel Oak.

Homeless and penniless, he's been wandering the countryside looking for work. In the movie version, Bathsheba arrives the morning after the fire and meets her rejected suitor. Since he helped save her barn, she hires him on as the master of the sheep.

But now, she's his boss, so there is tension between them.

Mr. Boltwood, an older, mature suitor who is kind
Along comes the second suitor, a neighboring landowner, Mr. Boltwood (played wonderfully by Michael Sheen). He is a mature man, a shy, introverted, but he is much more cultured and prosperous than our heroine. At first meeting, he snubs his nose at Bathsheba as he discovers her working on her land. She's shooting birds that are eating a harvest, so she appears somewhat bold for a woman as she greets him holding a loaded rifle.  Mr. Boltwood is one of those 'gentlemen farmers' you see. He doesn't actually work on his farm, he has hirelings for that, so seeing a female landowner actually working the farm is a shock to his sensibilities.

As time goes on Boltwood is taken with our heroine. Carey Mulligan plays Bathsheba and does a superb performance in the leading role. (She was also in The Great Gatsby as Daisy). Bathsheba is bold, unconventional and independent for a Victorian Era woman. She's far ahead of her times. The scene with her shooting birds with a rifle, coupled with her refusal of Mr. Oak's offer and a clip of her riding hard across the countryside astride a horse tell us she is not a meek, easily managed woman.

Like the first suitor, Boltwood proposes to Bathsheba. His proposal is different. He keeps saying he wants to provide for her and protect her all her days. In other words, he wants to put her in a box or on a high pedestal. He even suggests she might still run her own farm as sort of a hobby. He offers her a huge manor house complete with a full staff, prestige as his wife, money, fancy clothing, jewels . . . . it's like a dream come true for most women, a Cinderella storyline.

Except Bathsheba is not a woman to be bought by the promise of pretty things and a life of ease.

Suitor number one, Mr. Oaks, wanted her to be his wife and help him run his farm.

Mr. Boltwood wants her to be his cherished doll to pretty up his mansion. She wants neither option.

She confides that she'd rather be tamed by a man, implying these two are no match for her bold temperament. Well, she does have a point with Mr. Boltwood. He appears to be quite the Milquetoast fellow. Dithering and blundering about.

Sergeant Frank Troy, a bit riskier, but dashing all the same

Be careful what you wish for, Bathsheba!

Enter suitor number three, Sergeant Frank Troy. He's a soldier who is at present not working. He comes in, all bold and dangerous, dashing in his regimental uniform and brandishing his sword. He appears to be everything she hoped for, dashing, brave, strong minded. They have a secret tryst in the village, and then she marries him impulsively. And soon learns her mistake; our dashing hero is a drunk and a gambler. Their marriage was based solely on passion and great sex. As the passion wanes, things sour. He keeps racking up debts, and siphons money she has saved up for farm business and repairs. She resists his plundering of her funds, and he starts berating her, threatening her verbally. Her two prior suitors, both actually still love her, are both appalled and worried about her. Abuse is hinted at in the movie.

There are numerous plot twists I won't go into. Sergeant Troy has secrets, one being a woman who carries his child. Bathsheba sees them together at the local fair, and confronts her husband about the woman. She is told by the cruel man that that woman is the one he truly loves, and that she (Bathsheba) means nothing to him. Well, that's quite a slap in the face. She now knows he married her only for her money. His lover dies and he goes off into a funk. We see him strip off his clothing and swim out to sea. He drowns.

Bathsheba is sad but also relieved to be free of him at last. Months go by. She dutifully wears black and attends his grave. Mr. Boltwood resumes his courtship, and she seriously considers his suite. After all, she married for passion the first time and it turned out badly. A good pushover in a man might be refreshing after what she's come through with her choice of a spouse.

Things are complicated when Mr. Oak is now interested her hand again. (He loves her and never really stopped pining for her throughout the story-line. But he works for her, so he is beneath her socially).  So she has the choice oset before her again of Boltwood or Oak.

And just when you think her life has turned for the good, Sergeant Troy turns up alive, and angry. He faked his death months ago and now he's back, demanding money. He tries to force her to go home with him at Mr. Boltwood's magnificent Christmas Eve house party.  A party, I might add, where Mr. Boltwood is expecting her to give him the decision about accepting his offer of marriage. Troy strikes Bathsheba in front of Mr. Oak and grabs her arm, dragging her away. And then Mr. Boltwood emerges from the house surprises everyone . . . . turning from a mouse into a fierce lion as he sees the woman he loves being mistreated by her suddenly returned from the dead husband.

I know, I know . . . sounds like a soap opera, doesn't it? But it was written one hundred and forty years ago!  Not all classic literature is boring.

I won't reveal the ending, and spoil your enjoyment of the movie. But I will tell you that our heroine, Bathsheba, faces an emotional choice this time, and it will surprise you.

Note: I have not read the book. It is classic English literature, but somehow I missed that one. I plan to read it soon. The book is much longer than the movie. In an interview in the bonus material, the directors said that if they tried to follow every plot thread in the book, that it would be a six hour miniseries, not a two hour movie. I enjoyed this new discovery more than I can express. This movie will go on my desert island keeper shelf, one to watch and fall in love with again and again.

The love story featuring three suitors vying for Bathsheba's hand, each one equally appealing in their own way, is incredibly romantic. The landscape where the film was shot is gorgeous, in Dorset where the story was originally set. So, the mix of a good, suspenseful romance, the depicted charm of country life in Victorian England, the lovely costumes and the setting make this a bewitching combination.





I highly recommend this film to those who love such period pieces as Jane Austen. You will be mesmerized by this lush romantic film.

Enjoy a sneak peek with the trailer below:
Far From the Maddening Crowd Movie Trailer




Thursday, December 31, 2015

Update on Books that Celebrate Paris Fundraiser



Update on our Paris Fundraiser after the November Terrorist Attacks. Today was the deadline for our book sales to be counted and the donations made from proceeds of the sales of our Paris themed books.  If you are curious, bleow is the link to the main landing page of our Fundraiser and the list of authors participating. I'd

http://www.avamiles.com/books-that-celebrate-paris/

I am pleased to say that I donated $50 to the French Red Cross this afternoon from sales of Some Enchanted Dream. Thank you to all who participated in this fundraiser by buying my book or one of the seven other author's featured books. It was a huge success and we each made our donations separately to th FRC.  

My featured book in th fundrasier




Best wishes for a Happy and Safe New Year! 

Lily Silver


Sunday, December 27, 2015

A Peek into 2016: Excerpt from Noble Assassin

Hello everyone. I hope your Christmas was merry and your dreams were somewhat fulfilled. I received some wonderful gifts from my family, mainly my spouse who knows me well. And here is a gift to you, a sneak peek at my latest work that will be published in early February,

Noble Assassin, Reluctant Heroes Book Four

It's the story of a former assassin, Ambrose Duchamp, and a lonely governess, Juliet Wallingford.  Both have left their homes in Europe and reside at Ravencrest Plantation in the West Indies. Both feel love has passed them by. Juliet is hiding from someone in England, but we'll not worry about that in this excerpt. As they enjoy dinner with their benefactors, the Count and Countess du Rochembeau, the suggestion of Aphrodite finding them is just too difficult for either of them to believe. And yet, as the count and countess share their love story and the unique circumstance of their meeting--against all odds, hope is kindled anew. 


Huge Thank You to Graphic Artist Kim Killion for this cover


This Excerpt is the complete Chapter Four of Noble Assassin, copyright Lily Silver. 

       Juliet wiped her moist hands on her skirt beneath the tablecloth so no one could observe her anxious movements. She swallowed hard, and reached for the goblet of water before her. The slight shake of her wrist might give her away, if one were measuring her closely.

      And he was doing just that. Dark brown, nearly black eyes followed her movements as she lifted the goblet to her lips. His lips were pursed pensively as if he'd never observed an Englishwoman sipping a goblet of water before.

     The count had been speaking softly to his wife. Lady Elizabeth answered with a lilting, almost sensual voice.

     It seemed they were teasing each other over some private joke known only to them.

    Mr. Duchamp was seated directly across from Juliet. It was unnerving. He wasn't speaking much. He was just watching her like a hawk staring down a mouse.

    Oh dear, that would never do. She wasn't a mouse and she would not let that image pollute her thoughts and make her feel weak and vulnerable.

     I am a sleek feline, a proud tigress, not a shivering rabbit. I am a cat, not a mouse.

    And yet, she was sitting next to the most beautiful woman she had beheld in recent times.

    Juliet swallowed again, fearing her throat had taken on the attributes of a desert. Compared to the vibrant Lady Elizabeth Beaumont with her brilliant red hair and exotic sea green eyes, Juliet might as well be a drab little grey mouse.

    She had dressed carefully for this first dinner with her benefactors. She chose a pale shell pink muslin gown with gold and beige cording along the sleeves, the neckline, and flounces of gold lace on the edge of the hem. It was her best gown, purchased here with funds from the countess when the woman realized she had clothing suitable for England's climate and not the tropics. It was such light material Juliet felt as if she were floating on a cloud when she first tried it on. It complimented her blond complexion, she believed. She'd even put a matching band of gold cording around her hair. She felt pretty it in while gazing at her reflection in her room.

    Now she realized the bland pastel pink must make her look even more washed out as she sat beside the beautiful countess. Her ladyship was wearing a dazzling gown of deep emerald silk, a perfect color to highlight her vibrant hair, unusual eyes and alabaster complexion.  

           The count took up the head seat at the table. The odd arrangement struck her anew, as she'd not dined with the family for some months. Lady Elizabeth was seated next to her spouse, on his left instead of the opposite end of the table, as was the expected place for the mistress of the mansion.

         Juliet glanced at the couple. They did seem devoted to one another. They spoke with a lightness and openness to each other that seemed startlingly odd at first, and then refreshing once you overcame the shock. Most of the nobles were stiff and aloof, being more concerned with keeping up appearances even with their spouses. The countess was not like other women of her class. She had natural warmth and did not try to stifle it for the sake of English etiquette.   

       

    It was obvious to any observer that the count adored his younger wife. He smiled when he looked at her--and the man almost never smiled that she could recall. That tender smile and those adoring blue eyes would make any woman ready to swoon. The count had reached his middle years, being just shy of forty. His hair had streaks of silver running through it. It did not diminish his attractiveness, but rather enhanced it. He sat poised on the edge of his seat and was giving his wife a sweet look as he listened to her talk about something their little girl said today.   

   Juliet pulled her gaze from the pair and met the gaze of the man opposite her. 



Such dark eyes, deep pools of mystery. He was staring at her openly again. Or had he been staring all along? As she returned his unrelenting look, the side of his mouth twitched up in a sinister smirk. A queer tingling in her chest made her place a hand there momentarily. She had never 'tingled' before over a man's deliberate look. And yet, if truth be told, there were not that many such looks to react to in her life.

     "The humidity is increasing," Mr. Duchamp said in that intoxicating French accent as he watched her hand retreat from her bosom and drop to her lap. "It is always more pronounced after the cooling rains have ceased."

   Juliet felt the color rise in her cheeks. Did he think it proper to draw attention to her discomfort? The cad. She glared at him, not grateful in the least for his comment. A gentleman should never remark on a lady's condition in polite company.

   But then, he wasn't a gentleman, was he?

   "You speak the truth," Lady Elizabeth agreed, startling Juliet momentarily as she feared she'd spoken her thoughts aloud. The countess signaled to the footman in the corner to start the large fan above their table moving with the paddle.

    A rush of breeze cooled Juliet's face. She sighed slightly, relieved to feel the gentle caress of moving air. Her skin had a moist sheen. She resisted the urge to dab at her neck and face with her napkin.

    Perhaps cad was a strong word after all. She shot a quick glance in Duchamp's direction. He lifted his water glass to her in a silent salute, and then took a sip with those full, sensual lips. Juliet watched the movement of his Adam's apple as he swallowed, mesmerized by the masculine action.

    Oh, dear. This would never do. She must not allow her sensibilities to be clouded by a pair of strong, tan hands or an intriguing pair of deep, dark eyes. She could not allow herself the luxury of an entanglement. She could not lose her situation here. She had no place to go if they turned her out.

    The third course had been removed. A light course of dessert cakes and fruits were being served.

    “I have the most wonderful news. You'll never guess it!” The countess's light voice buoyed the atmosphere in the room as the men focused their attentions upon her.

    Juliet felt her lips curve into a smile. Yes, the news of Chloe and the captain. That should take the attention off her and her heated skin that must be shimmering in the candlelight. Her complexion would also be mottled due to the heat. Her hair had been upswept into a neat coil on her head, but it felt limp and clammy. The humidity rising, as Duchamp had said. Her anxiety on this first evening dining as her ladyship's favored guest was making her perspire more than usual. And having the man across the table bring attention to her discomfort only unnerved her more.

Jack & Chloe's Story

“Our dear Chloe has had quite the adventure in Spain,” Lady Elizabeth sang out in a pleasing voice. The men eyed her carefully. “I received a letter today from London.” She clapped her ungloved alabaster hands together with glee at the last.

   Juliet was grateful the countess's relaxed dress code for dinner, as gloves in this sultry climate would be sheer torture. Light muslins and sheer cotton was de rigor in the tropics for most women. How her ladyship could endure the silk she was wearing tonight was a puzzle.


    “I had a letter from Jack, my sweet,” the count said. “I haven't opened it as yet, do go on.”

    Juliet was puzzled by the count's behavior. He was being solicitous and attentive to his wife, more so than seemed proper. He took her hand and gazed at her with tenderness. It was sweet. It was also a painful reminder of her own status in the world; utterly alone with no family and few friends.

   Lady Elizabeth paused dramatically and gazed around the table at her audience. She gave Juliet a generous smile and then turned to regard her spouse once more. "They arrived in Spain only to find that her uncle was not at his home in Cadiz. Jack advised her to stay in Cadiz and wait for her Uncle Miguel to return. And she refused to do so. Chloe was determined to go into the interior to meet him at his almond plantation.”

   “That was foolish,” Mr. Duchamp sighed and took a sip of his wine. “Dangerous. I hope he made her stay in Cadiz, my lady.” He was talking, taking an interest in the conversation, which was not his usual behavior at table, or so the footmen said in the servant’s hall. Duchamp was a quiet man, and a dangerous man. He made most people uncomfortable. The countess did not seem to be intimidated at all by Mr. Duchamp and his dark aura of menace.

   Lady Elizabeth gave a little huff of indignation. “I beg to differ, Mr. Duchamp. Chloe is a grown woman, capable of making prudent, intelligent decisions. She does not need a man to tell her what to do. Miss Wollstonecraft says—“

   “Lizzie, my sweet,” the count interrupted his wife, "can we skip the lessons from Miss Wollstonecraft this once and move on with Chloe's adventures?” His voice was strained, having an edge of impatience to it, yet he smiled at his darling with true affection.

    Juliet felt a little thrill. Lady Elizabeth was a bluestocking, and she was quite the staunch supporter of the late authoress who had written a treatise advocating equal rights for women. She suppressed a giggle as she didn't wish to offend the count or his lady with her amusement.  

   “I suppose, just this once,” Lady Elizabeth's voice had become hard as she replied to her spouse. “But if I were to go into a battlefield, would you physically prevent me from doing so because I am a woman?"

    The count did not respond. He appeared to be choosing his words wisely. This must be the start of one of those stimulating debates Chloe always spoke about with fondness.

Juliet's heartbeat increased. She held her breath, waiting to hear his reply. She hoped this would not turn into a nasty argument. For all her sweetness, Lady Elizabeth was reputed to have a temper and his lordship--well, no one crossed words with him and came out the victor. She shot quick glance at Duchamp. He was gazing down at his fingers as they outlined the stem of his water goblet. He, too, looked uncomfortable. His eyes lifted, and caught hers. He grinned.



    Juliet’s insides did a queer little twist in response. Oh dear. Why does this man affect me so?  

   "My lady, if I may be so bold," Duchamp began. "It is not a matter of what a woman is permitted to do, but rather, if I may, what a man would do to protect his beloved."

         

   "Yes," the count agreed with an unnatural exuberance. "Thank you, Ambrose, you've helped me clarify my thoughts. Lizzie, dearest, if you were about to walk into a battlefield, I would run after you, pounce upon you and push you to the ground in the hope that the cannons firing would take my head off instead of yours. That's love, my darling, it isn't prejudice."

   Juliet felt her eyes widen as she gazed his lordship with awe. He diffused the situation, turned his response into an act of love and sacrifice and managed not to offend his lady in doing so.

   “And,” Duchamp's lush French voice added in the silence, “if the situation were reversed, I am confident you would do the very same to protect his lordship. Now, please tell me how our Mrs. O'Donovan fared in Spain. Did she find her father's family?”

    Lady Elizabeth was silent for a full minute, perhaps two.

    “Were they accosted by soldiers? I have read that the French are pressing Spain hard due to a question of their continued allegience,” his lordship prodded.

    “And you told me earlier, my lady, that they were forced to flee Spain.” Juliet tried to aid the men in soothing her ladyship's ruffled feathers so they might hear the rest of the story. Much as she might enjoy a debate on the subject of women’s rights, tonight she just wanted to get through this tense first dinner without offending either the lord or lady of the manor.

Goya's painting depicting French troops in Spain, 1808

  “Yes, they searched the southwestern portion of Spain for her Uncle Miguel. They traveled through a forest, were set upon by Spanish highwaymen and they lost one guard to a stray bullet. Jack hurried them through that dangerous place and set them up at a monastery for the night. Chloe found it most uncomfortable as the monks treated her and her maid as if they were harlots accompanying the men on their journey.”



   “Who did they lose?” Duchamp asked. “Not Jinx or Lt. Morgan?”

   “No, thank goodness,” Her ladyship was quick to soothe him. “It was a Spaniard they hired to ride atop the coach as an armed guard. Chloe was greatly troubled that they were not able to bury the man properly, but had to flee immediately to save their own lives.”  

    Juliet hadn't met either men Duchamp mentioned, but assumed they were members of Captain Rawlings crew. “Mrs. O'Donovan must have been horrified by such an experience.”

   “Yes.” Lady Elizabeth signaled for the footmen to remove their plates and begin serving a special dessert she'd had prepared to celebrate news of Chloe’s nuptials; English Trifle. The cake slices were mixed with local fruits--pineapple, mango, guava--and clotted cream. Once the footmen began placing their portions before them, their hostess continued her tale.

   Lady Elizabeth spoke of other incidents bedeviling the couple in Spain, giving a detailed report from her letter. The couple had to hide in a deep ravine in the woods to escape capture by French soldiers, and Chloe ended up losing her trunks of fine clothing. Lady Elizabeth ended her tale with the announcement. “And as to my wonderful news, our dear Chloe and the captain have wed! We must celebrate their nuptials.”

   The men were silent. Both faces registered surprise.

   “Jack, married?” the count scoffed, and looked at Duchamp. “Never thought he'd let down his guard regarding his prized bachelorhood.” His gaze shot to the butler behind him. “Bring champagne. We must celebrate Jack’s capture by the fairer sex.”  

  The butler nodded and left the room quickly.

  “Why would you say that?” Lady Elizabeth asked with annoyance. “He would have married Chloe years ago, if Gareth hadn't asked her first.”

   The count rolled his eyes. “Jack has been in mourning for his fiancée for twenty years. He'd never look at another woman, mark me, I'm in his confidence, my sweet.”

   “Oh?” Lady Elizabeth's voice rose with mock surprise and a hint of superiority. “So Jack didn't come to you in private during the first annual Christmas Eve Ball ten years back and ask your advice on wooing Miss Ramirez and gaining her hand in marriage?”

   That was something Juliet never knew about, despite her friendship with Chloe. Of course she wouldn't, as Chloe Ramirez had married the count's uncle and no lady would talk openly of another courtship prior to her marriage.

    “No . . ?” The count's eyes grew wide as he gazed at his wife. “I suspect you are implying  he did so with you. You never shared that with me, my sweet.”

The count's mother's story

     The sensation of triumph radiated from her ladyship briefly.  She gave a light laugh. “Oh, my lord, it was such a busy holiday that year I clearly forgot about the incident until this moment.” 

   She turned to Juliet to explain further. “We were newlyweds, you see. My grandfather, the earl, was here scowling at us all, and rumored to be at death's door. My brothers were severely injured from a brutal attack days earlier by an escaped indenture. The count’s mother arrived late on Christmas Eve and she was furious with him for not writing her the news we had wed three months earlier. Chloe and Gareth were married in secret at dawn on Christmas Day and then we had the count’s mother's wedding a two weeks later. And I had learned just days before Christmas that I was expecting the twins, and so sometimes I reflect on that holiday as a time of supreme confusion."

Elizabeth's first Christmas

  “Our first Christmas as man and wife was quite memorable.” His lordship seemed amused by the horrific list his wife had just given him as her reasons for forgetting to tell him of his friend's interest in Miss Ramirez, as Chloe was known then by all.

  “Miss Ramirez was an intoxicating young woman.” Duchamp had a wistful smile that softened his sharp features considerably. “I might have courted her myself, back then.”

  “You?” the count's voice rose with disbelief. “I swear, the men I consider my trusted friends keep their secrets well. I am the last to learn of these stray passions and private desires.”

   “You spend too much time with your horses, my lord,” Lady Elizabeth chided playfully. “You miss the subtle nuances between humans when they are attracted to one another.”

    The men chuckled, and Juliet allowed herself the indulgence of a light laugh as well.

    “I fear you may have a point, my sweet. And yet, none can claim to have the skills you possess in discerning these secrets of the heart.” His lordship took his wife's hand impulsively, another indication of their relaxed attitudes regarding etiquette and showing affection in polite company.

    “If I may be so bold, my lady,” Juliet inquired carefully, “why did the captain come to you for aid in courting Mrs. O'Donovan--before she was Mrs. O'Donovan, I mean?”

    The countess turned to Juliet, her eyes bright with reminiscence. Obviously, she was enjoying this dinner conversation, and it had nothing to do with Juliet's presence at table. Her ladyship had the full attention of the men and she was being praised and indulged by her spouse.

Chloe's Christmas Story

   “It was two hours past dawn on Christmas morning, my dear Miss Wallingford,” the countess's voice floated amid the sparkling crystal goblets and the warm candlelight. “We had just returned from Chloe's secret wedding to Gareth. Only my lord and I were attendance. I was in the library preparing myself to be hostess to a family holiday for the first time in my married life. A knock came to my door, and the butler informed me that Captain Rawlings sought a private audience with me.”

    “Where was I?” his lordship asked, offence in his voice.

    Lady Elizabeth gave a slight shrug and glanced at him thoughtfully. “The stables, I suspect, managing your horses or managing young Mr. O'Reilly, your new stable master.”

   Duchamp gave a low chuckle. He was amused by the countess's jest.

   The butler returned with the champagne. He opened it and began pouring glasses for them. Juliet gazed at the light liquid set before her. She never had a reason to taste the expensive beverage as teachers at her school did not have reason to celebrate, nor had her past employer been one to share such luxuries with the members of his staff.

   “And the captain confessed his desire to win Chloe’s hand and asked if I might speak well of him to her so she might favor his suit. I had the unfortunate task of telling the poor man Chloe had been wed but two hours earlier."

   “What wretched timing. I wish I had known of this." The count's voice was ladened with sadness. All signs of joy were gone from his features. “I cannot imagine sitting at the table with the woman you are secretly in love with and her spouse, month after month, year after year, pretending you don't care. It had to have been hell for him.”

    “He hid it well,” Duchamp added. “We had our differences, but I would not wish such a cruel fate upon the fellow. I always wondered why he never took a wife.”

    “I thought he was married to sea, as he so often said," the count added. "And considering his tragic history with his fiancée dying years ago, I thought him still in mourning for his lost love."

    “But he has found his happiness!” Lady Elizabeth's voice revived its prior joy. “As has our dear Chloe. Both had tragic pasts, and they have found true love."

   “To true love. To Captain and Mrs. Rawlings!” The count lifted his glass and the three of them did likewise. “May they be blessed with every happiness and a brighter future.”

    Juliet took a sip of the sparkling beverage. She was amazed by the lightness of champagne, as wine was usually much heavier on her palate. "Oh,” she giggled, and resisted the urge to wipe her nose as the bubbles tickled it without mercy.

   “To Jack and Chloe,” Mr. Duchamp made a second toast. “A weather-hardened seaman wins the heart of an alluring young widow. Proof that all men may find a safe harbor for their hearts, no matter their age or disposition."

   “To Jack and Chloe!” They all drank a toast to the happy couple.

   “And to the strange proclivities of Aphrodite,” the count continued. “She stalks all men and makes them trip over their true love when they least expect it.”

    Again, they raised glasses to the count's toast. This time, Juliet could not resist brushing her nose with her napkin after taking a sip of the bubbly liquid. She was relieved to find the countess doing the same beside her.

   “And who will be next in our circle to find love?” the count's deep voice became soft and slightly sensual. At least, that was how Juliet perceived it after three sips of champagne following two goblets of wine at dinner. “Ambrose, is there anything you wish to tell me?”

   All eyes moved to the steward. He did not appear amused by his lordship's jest, but irritated.  Juliet felt a pang of concern. What dark secrets were hidden in his past life in France?

  “Aphrodite crossed me off her list of favorites long ago, my lord.”

  “You are too hard on yourself, Ambrose,” the count replied.  “What happened in France does not need to define you for a lifetime. Love will find you if you'll allow her to lead you to your true heart's companion. You've spent enough years lurking in the shadows and sulking like a ghoul.”

   The man actually grimaced at his lordship's words. And then he looked directly at the count with his chin held up and his eyes defiant. “And where were you, my lord, when Aphrodite dropped from the sky and dragged you to your true love's door?”

   “The stables,” the count replied hastily with a chuckle, “minding my own affairs.”

   “With Michael,” the countess added in the same moment. The couple looked to each other and laughed together. “We’d fallen on hard times Miss Wallingford. My brother worked at the stables to support us after his father lost everything, including our home, to gambling.” 

    “If Fletcher hadn’t lost everything and brought you with him to hide in the country, I might not have found you, my darling lass.” The count clutched her hand and lifted it to his lips, shocking Juliet with his bold display of affection. She was shocked by his forwardness, but not offended.

     The couple gazed at each other with deep affection. Her ladyship's girlish laugh brought a lighter note to the room after Mr. Duchamp's dark comment about not being worthy of Aphrodite's magic.

Donovan & Lizzie's Story

    “Donovan was visiting Lord Hamilton's stable in the hope of purchasing one of his mares as breeding stock.” Lady Elizabeth had the good grace to explain further.

    “--and Lizzie's younger brother invited me to their home for dinner.”

    “--it was my birthday. Michael brought Donovan to me as a present.”

    “I had no idea I was her gift,” the count quickly said.

    “Oh, it wasn't like that”" Lady Elizabeth corrected. “Michael knew I enjoyed witty conversation so he brought home a clever new friend to liven my birthday dinner. I was enchanted when my lord said hello to me in that delightful Irish brogue he used back then. He was pretending to be an Irish commoner, you see, said he worked for a French count. I didn't know until the wedding that he was that same French lord. Donovan liked his disguises in those days, didn't you dearest.”

    “Yes, and even incognito, I was struck down by cupid the moment I saw Lizzie's sweet face.” The count pointed at Ambrose. “You see, I was tending my affairs, in the stable in England, and the goddess found me. Have a care, Ambrose, once the goddess of love has you in her sights, it won't matter where you are hiding, she'll find you at drag you into your true love's path.” 




    Juliet could not restrain her wide smile. It was not polite to grin so freely amid the upper classes, and yet, she could not contain her pleasure in hearing the story of how the count and countess met, or their teasing of the solemn man seated across from her. She glanced at Mr. Duchamp and found him staring at her with such intensity it brought a chill to her skin and a light fluttering of dragonfly wings inside of her belly.

    He was looking at her with accusation, as if she had somehow conspired with the fair Aphrodite regarding his future. ~~End of Excerpt. Noble Assassin, copyright Lily Silver, 2015. 


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Lily Silver